Applications

Pigment analysis on an antique paper painting by micro-XRF with a super large chamber

Motivation

Identification of pigments is important in the archaeological and art research fields. Some pigments were used during specific times and then were no longer used in later times. Therefore, we can estimate the period when artwork was created through identification of the pigments.

Micro-XRF is an effective pre-screening analytical technique to narrow down the candidates of multiple pigments used on a painting, thanks to its non-destructive approach and imaging capability. We introduce our experiment of pigments analysis on a traditional Japanese paper painting (Figure 1) using the HORIBA XGT-9000SL, a micro-XRF with a super large chamber.

Figure 1: A traditional Japanese paper painting (a painting on a folding fan)

XGT-9000SL

HORIBA’s XGT-9000SL is a micro-XRF with a super-large chamber capacity measuring 1030 mm (W) x 950 mm (D) x 500 mm (H). It is equipped with selectable micro-probes, one of which is a 100 μm ultra-high intensity probe. It is also equipped with a motorized XYZ stage, which allows multi-point analysis, as well as elemental imaging up to 350 mm x 350 mm. The XGT-9000SL has X-ray shields complying with the radiation safety requirement of IEC-61010-1. The large capacity and full shielding make it possible to perform nondestructive large area analysis with the XGT-9000SL, without compromising user safety.
 

Figure 2. HORIBA XGT-9000SL (a) Appearance (b) the chamber capacity (1030 mm (W) x 950 mm (D) x 500 mm (H)) (c) schematic diagram of the optics.

Measurement and Result

We did elemental imaging within a portion of the traditional paper painting to analyze multiple pigments at once. The below figure shows the elemental mapping result using HORIBA XGT-9000SL. The brighter color represents higher fluorescent X-ray signals of the element. The below figure suggests the following pigment information:

  • The gold color area: The gold color area is the most dominant part of this paper painting. Different from our expectation, Au was not detected in the area. Alternatively, Zn and Cu were detected.
  • The blue color area: The blue area showed higher intensity of S and Si and K than the other surrounding area. It didn’t show any key elements popular blue pigments such as Fe in Prussian blue or Co in smalt which were popular in the later Edo period. Cu of azurite (Cu3(CO3)2(OH)2) were not found, either.
  • The green color area: The green areas showed higher intensities of Pb, Cr, Cu and As than the other surrounding areas. These elements suggest a mixture of Chromium yellow (PbCrO4) whose first production was in 1809, emerald green (Cu(C2H3O2)2·3Cu(AsO2)2) whose first production was in 1814.
     

Figure 3. Elemental imaging results with the HORIBA XGT-9000SL. The imaging was conducted within 175 mm x 88 mm area under partial vacuum condition using a 100 μm ultra-high intensity probe with 50 kV voltage and 600 μA current at the primary X-ray generator. The total mapping time was approximately 90 min.

Conclusion

Micro-XRF allowed us to narrow down candidates of pigments used on a large traditional paper painting without any sample preparation or any sample destruction. It is helpful as first screening tool to prepare known materials for further analyses using Raman spectroscopy or other analysis techniques.

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XGT-9000SL
XGT-9000SL

X-ray Analytical Microscope
with a Super Large Chamber

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